Faye Eithne O’Brien
she/her
Glamourmath
Faye's project parodies the female body navigating gendered social hierarchies. Her work is glamorous and paradoxical, exploring a woman's expression of her own sexuality within the broader social context of misogynistic and phallocentric social norms.
Large-scale oil and acrylic paintings are populated by poised yet partially exposed women. A painting of suited men juxtaposes the female figures, epitomising patriarchal control. Through installation, the gender hierarchy is flipped, with men placed lower than their female counterparts.
Ink drawings allow their female forms to embody sexualisation and exaggerated anonymous images of desire, pleasure, and fun. The sculptural works use latex, faux fur, and salvaged materials in order to confront female reproduction rights issues that backdrop the utopic sexuality depicted in the large paintings.
Ultimately, the work is a superficial, female-centred utopia, where women have negotiated their sexuality within the patriarchy to achieve empowerment and agency.
Party Girl Electric, ink and acrylic on paper, 30 x 42 cm.
Mary, ink and acrylic on paper, 30 x 42 cm.
Hard out Here for a Bitch, oil on canvas, 48 x 86 cm.
Girls Gone Dialectical, oil on canvas, 145 x 115 cm.
No Onus of Appeal, acrylic on canvas, 90 x 170 cm.
Three Horsemen of the Fempocalypse, acrylic on canvas, 100 x 180 cm.