Eimhin Lowney
he/him
Fragments
My work is influenced by my constantly evolving relationship with my environment. I'm drawn to different forms, patterns and objects both manmade and natural that appear in the world around me. My process involves extracting and using these found forms to build layered compositions that interact and flow energetically. With my practice being rooted in painting murals, it allows different locations to inform how my works are constructed, allowing the piece to engage with the site and become an abstracted and personal reaction to the space. In 'Fragments', I have merged these contemporary methods of composition with traditional printmaking techniques, allowing murals and prints to interact and play off each other in an attempt to join public, and private spaces together to tell personal stories.
Athrú, woodblock print on 40gsm Japanese paper mounted on plywood, 45 x 35 cm.
Installation view, Fragments, NCAD Works 2026.
Slán Abhaile, woodblock print on 40gsm Japanese paper mounted on plywood, 45 x 35 cm.
Cascadence, spray paint on wall, 17 x 2.4 m.
Detail shot, Formative, emulsion paint on wall, 10 x 2.4 m.
Ag Imeacht, woodblock print on 40gsm Japanese paper mounted on plywood, 35 x 45 cm.
Detail shot, Formative, emulsion paint on wall,10 x 2.4 m.
Installation view, Fragments, NCAD Works 2026.
Detail shot, Formative, emulsion paint on wall, 10 x 2.4 m.
Research
Woodblock printing process.
Cascadence, mural painting process.
Ag Imeacht, woodblock printing process.
Formative, mural painting process.