Aimee Eiffe

Aimee Eiffe’s practice explores the relationship between the visual and the virtual, and how it influences the art space. The work arises from three-dimensional generative programs, primarily photogrammetry; a process that overlaps images and spatial data to construct a three-dimensional model of an environment or object. By digitally manipulating these virtual spaces, Eiffe augments these realities using paint on raw wood, where the ground’s unpredictable grain mirrors a glitch-like distortion.

The work holds an inner narrative that queries the relationship artists have with the virtual world, treating that “world” as its own actuality. Influenced by David Joselit’s methods of redefining site specificity through the mass circulation of images, the circulation of painting exists within the artist’s own continuum; they are Eiffe’s rendition of a rendered reproduction